 溪山如來 朱雨澤個展 Reminiscent Brook and Mountain Zhu Yuze Solo Exhibition 策展人 | Curator：李蕊 Li Rui 主辦 | Organizers：自然主張 Naturalism Studio 藝術家 | Arts：朱雨澤 Zhu Yuze 開幕 | Opening：2023.04.18 4:00 PM 展覽時間 | Time : 2023.04.18–04.29 地點 | Venue: 北京市朝陽區(qū)酒仙橋北路798藝術區(qū)706北二街自然主張工作室 溪 山 如 來 溪山，以山與水的美學，將東方古詩韻的意境轉化成了絕妙幽遠的視覺敘事，在亙古至今的山水哲學中有著獨特的老莊情結。于大山重疊，千巖萬壑之中游歷探求，仿若⻄去求取真經的如來⻄來意——⻄游東啟;臥遊山水的淡泊明志以招隱，出離而歸本真。朱雨澤以真山水為基石，得意水墨精神之旨趣，澄懷昧象，璇璣人天，太平寰宇;溪山如故，喜我復來，深亦契合⻄洋圖像學本質的象征意義。 策展人：李蕊  庚子-91 Gengzi No.91 宣紙 巖彩 69x69cm 2020 Reminiscent Brook and Mountain Brook and mountain, with the aesthetics of mountains and water, transforms the artistic conception of ancient oriental poetry into a wonderful and serene visual narrative. It has a unique complex of Lao Tzu and Zhuang Tzu in the philosophy of mountains and rivers from ancient times to the present. Wandering and exploring among overlapping mountains and thousands of rocks & ravines, it is like the Tathagata who is going west to seek the meaning of Buddhism——Traveling to the West and being enlightened in the East. The indifference manifests his ambitions to recruit hermits by lying among the mountains and rivers and distract himself to return to the true nature. Zhu Yuze takes the real mountains and rivers as the cornerstone, comprehends the spirit of ink and wash, appreciates the aesthetic objects with a tranquil mind, discovers the human and the nature, and the returns peace to the world; the mountains and rivers are reminiscent, welcoming my return, which corresponds deeply with the symbolic meaning of the essence of Western iconography. — Curator : Li Rui  庚子-85 Gengzi No.85 宣紙 巖彩 69x69cm 2020  庚子-05 Gengzi No.05 宣紙 巖彩 直徑 33cm 2020  庚子-44 Gengzi No.44 宣紙 巖彩 直徑33cm 2020  庚子-41 Gengzi No.41 宣紙 巖彩 69x70cm 2020 關于藝術家 | ARTIST  朱雨澤 Zhu Yuze 道號閑云子，藝術家，藝術理論家。 1963年生于北京。1982年就讀于中央美術學院史論系。1986年畢業(yè)于日本東京大學造型藝術系。1994年至1997年于德國慕尼黑哲學院、杜塞爾多夫藝術學院深造。 Zhu Yuze (Taoist name Xian Yunzi) is an artist, and an art theorist. He was born in Beijing in 1963. He studied at History Department of China Central Academy of Fine Arts in 1982. He graduated from Art Department of Tokyo University in 1986. He pursued further studies in Munich School of Philosophy, and Düsseldorf Academy of Fine Arts From1994 to 1997. 曾經在國內外發(fā)表過三十多篇學術論文，在全球藝術界率先將分形幾何理論與當代藝術的結合進行全面的理論闡述，并用自己的作品予以實踐。學術作品多次在歐洲及美國展覽，并被國內外私人藏家及知名美術館收藏。 He published over 30 essays in both domestic and foreign journals. He is the first artist to fully elaborate on the combination of fractal theory and contemporary art. He also puts the theory into practice with his own works. His academic works have been displayed in U.S. and Europe, and collected by many private collectors and renowned galleries both at home and abroad. |
